Crystal Pite and Jonathon Young — Betroffenheit Tickets ... Betroffenheit Archives - Spannungsfelder der Sozialen Arbeit: Betroffenheit und Professionalität – #nahunddistanziert. The Tempest Replica. Attention Crystal Pite fans --- London's Royal Opera House will be streaming Pite's work 'Flight Pattern', beginning Fri.Nov.6th (at 7pm GMT) ... Kidd Pivot's 'Betroffenheit' will be streamed online Fri.June 26th at 8pm (KST) and available to watch for the following 24 hours. We all deal with grief in different ways. A journey through the dark side: Betroffenheit. It is the practice of therapy but also the performance of survival – a performance that is necessary if only to convince the performer that survival is itself possible. Crystal Pite and Jonathon Young’s Betroffenheit explores the depths of grief and trauma. In Betroffenheit, theatre artist Jonathon Young does it in a spectacularly visual way in front of a live audience.. Share: As the salsa and tap-dancing demons of Young’s addiction, they are trashy, camp and sinister, and the macabre energy they bring to the stage perfectly portrays the seductiveness of the drug trip or the alcoholic binge. In this thesis, I examine Vancouver-based, Canadian choreographer and dancer Crystal Pite’s artistic approach as a dance theatre artist with a focus on her multi-award winner work Betroffenheit (2015). Sadler’s Wells, LondonJonathon Young and Crystal Pite collaborate to turn a traumatising experience into riveting drama and virtuosic dance, Last modified on Fri 10 May 2019 16.42 BST. Crystal Pite is one of the top international names in choreography. Flaws are few and far between. Betroffenheit makes its premiere in Toronto as part of PANAMANIA, the 35-day arts and culture festival presented as part of the Toronto 2015 Pan Am/Parapan Am Games.A collaboration between choreographer Crystal Pite and playwright Jonathon Young, the dance/theatre hybrid is created around … Thick cables attached to fuse boxes lie tangled beside the pillar. Now Betroffenheit comes to Los Angeles’ The Broad Stage this week to much advance fanfare. The faultlines between body, voice and person are everywhere in Betroffenheit , which opened at Sadler's Wells last night, a dance theatre piece that delves deep into the psychology of trauma. Lights begin to flash, accompanied by questioning voices, and in the corner a figure appears, curled up on itself. It is a quiet statement of fact and in its quietness lies the force of tragedy. Meet Canadian choreographer Crystal Pite in this Banff Centre Talk, hosted by Dominic Girard. FULL DETAILS. Betroffenheit to be broadcast on BBC4 First Published 5 May 2017, Last Updated 5 May 2017 Following sold out performances at Sadler’s Wells last month, the critically acclaimed Betroffenheit, created by Crystal Pite and theatre maker Jonathon Young will … Created by renowned choreographer Crystal Pite and writer/performer and co-founder of Canada’s acclaimed Electric Company Theater, Jonathan Young, it is in the simplest terms, a hybrid mixture of dance and theater. With unflinching honesty, Pite and Young explore what happens to a person in the wake of trauma. The brilliance of this work lies in its refusal to offer any easy insights or promise of redemption. Eclectic and evocative: Betroffenheit explores processing trauma as a kind of labour. It comes as a shock to realise these cables are moving, slithering snake-like across the floor and climbing the walls of their own accord. Judith Mackrell @judithmackrell. Yet while those very specific circumstances form the basis of the piece, they are not its focus: what Betroffenheit seeks to explore instead is the internal process that follows after the event itself – the “coming to terms”. The starkness of the lighting, the unrelenting sound score, the insistent rhythms of the voiceover all evoke the horror of a man trapped inside his head. Inherent in Betroffenheit’s aesthetic is the idea of working through trauma as labour, as a mechanical process involving rigid structure and repetition, systematic deconstruction and reconstruction. Le résultat : un spectacle sous haute tension qui part de la sphère intime et personnelle pour finalement nous parler d’un monde en état de choc. By the time the curtain rises on the second act, we have come to the bottom of grief, to the place of confrontation and reconnection, to the place where it is necessary to ask: is there anything left here to find? Betroffenheit – a word which means a state of shock, trauma, and bewilderment – began with co-creator Jonathan Young’s own experience of trauma and grief, after his daughter, niece and nephew died in a cabin fire while the family was on holiday in 2009. Hailed for her work with Nederlands Dans Theater (NDT), Paris Opera Ballet and The Royal Ballet of London, Crystal Pite is a shining star on the contemporary dance scene. As Young returns centre-stage, one of the voices assures him that the accident is in the past and that there is nothing left for him in the room. Tiffany Tregarthen in particular stands out as a most versatile and expressive performer, inhabiting a spidery, almost demonic presence in one moment and delivering an emotional crisis with pathos and sensitivity in another. Yet the actor and playwright has collaborated with choreographer Crystal Pite to create a two-hour piece of dance theatre, which addresses the experience of human suffering with raw and heroic brilliance. Kidd Pivot choreographer Crystal Pite. Photograph: Michael Slobodian . Photograph: Michael Slobodian . But another reminds him that something precious does remain there – the dead – and that if he quits the room, he leaves them too. Betroffenheit. Pite and Young had worked together in the past, in the context of Electric Company Theatre, which was originally formed as a collective in 1996, with Pite having worked as a choreographer facilitating their projects and contributing to their creation, but “Betroffenheit,” she explained, was the first time Young asked Pite to direct him. In short: trauma is complicated. Simply to write the words is to flinch from the awfulness of the event. Young, a Canadian theatre director and actor, and Crystal Pite, one of the most acclaimed contemporary choreographers, took the tragedy as a starting point for Betroffenheit, which … Revisor marks the artistic reunion of top-tier artists Crystal Pite and Jonathon Young, co-creators of the internationally acclaimed Betroffenheit.A lavishly theatrical dance work that reinvents the genre. For Jonathan Young, who lost three young family members in a fire, one answer is through movement, Last modified on Thu 26 Mar 2020 12.35 GMT. What thought patterns help you manage the unthinkable? Wed 1 … As the other dancers appear – in clown make-up, in spangly showgirl outfits, in smoke-coloured tracksuits – they embody the voices of the protagonist’s consciousness, pushing and pulling him through the trauma, the shut-down, the failed attempts at coping (addiction, denial) in mesmerising sequences of growing intensity: tap-dancing, mocking, questioning, at times literally holding him up. Pour la danse, Crystal Pite et les danseurs de Kidd Pivot. Created by Crystal Pite and Jonathon Young, the award-winning Betroffenheit is a boundary-stretching hybrid between theatre and dance that explores the psychological states of trauma, grief and addiction. Macabre energy … Crystal Pite and Jonathon Young’s Betroffenheit at Sadlers Wells, London. That horror is exaggerated and alleviated by the five dancers who periodically gatecrash the room. Betroffenheit. This room of the first act is both a safe haven and trap: a place of disconnection and isolation, emotional numbness and social alienation. Jonathon Young in “Betroffenheit,” the dance-theater piece he created with choreographer Crystal Pite after Young’s daughter died in an accidental fire. Betroffenheit, written and performed by Jonathon Young and directed and choreographed by Crystal Pite, has its official world premiere at Canadian Stage on Thursday. Pite founded her dance theatre company Kidd Pivot in 2002. Creator of more than 40 works in just over two decades, she is in huge demand internationally; and the most prestigious dance companies in the world, including Britain’s Royal Ballet and the Paris Opera Ballet, have recently joined the growing procession of those commissioning her work. Betroffenheit Full Movie. Art and the City: During the coronavirus pandemic, local ... Betroffenheit review – trauma and grief shape a startling ... 2018–19 Season Preview: The Year's Hottest Dance Tickets ... Betroffenheit from Sadler's Wells (2017) - Trakt.tv . This sensitive performance capture was directed for the screen by Jeff Tudor, Pite’s choreography is eclectic and evocative and the performing ensemble is exceptional. Betroffenheit, produced by Canadian companies Kidd Pivot and Electric Company Theatre, debuted at Perth festival on 23 February and will be showing at Adelaide festival on 3 and 4 March, Stephanie Convery was a guest of Perth festival, Inua Ellams: The word 'immigrant' is used to make people fear the unknown, Perth festival opens with an exquisite million-dollar spectacle – and an urgent warning. Such international exposure speaks to the solid reputations of Betroffenheit’s Canadian co-creators, choreographer Crystal Pite and actor/playwright Jonathon Young. In this raw and riveting drama of mental conflict, words and dance are expertly combined. This genuinely disturbing beginning sets a high bar for the two-act production – one that it frequently surpasses. Crystal Pite and Jonathon Young’s Betroffenheit at Sadlers Wells, London. 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