Contrasting Nikolais work is a segment of from Ohad Naharin’s Deca Dance, which consists of seventeen dancers and their chairs placed in a wide semi-circle facing the audience. Naharin managed to sidestep a cartoony aesthetic here and avoided cheap trendiness and cliche because of the movement. I hadn’t seen any of Naharin’s other dances, nor had I seen any other Israeli companies. It’s fitting that I saw the Batsheva Ensemble perform the latest version of Ohad Naharin’s Deca Dance at the Suzanne Dellal Center last week. Interesting – I’m surprised that there wasn’t much information in the program! Despite the fact Deca Dance was conceived in 2000, the show constantly reinvents itself based on the repertoire of the senior company and … Gaga is the movement language developed by Ohad Naharin throughout his work as a choreographer and Artistic Director of Batsheva Dance Company. Instead of an angst-ridden program of modern dance (which might be expected from an Israeli company co-founded by Martha Graham), Batsheva offered vibrant, hilarious, full-throttle dance that theatricalized the Israeli experience and celebrated life. The film, directed by Tomer Heymann and produced by his brother Barak, is full of humor, pathos and swatches of startling choreography. While living in the Bay Area for 15 years, he wrote about dance for the San Francisco Chronicle and other periodicals. DECADANCE 2021 By Ohad Naharin. To learn about Batsheva’s more recent years, I traveled with the Batsheva Ensemble, spoke with company dancers and ensemble members, studied Gaga, and attended live performances: Ohad Naharin’s Kamuyot, Zachacha, Seder, MAX, Shalosh, and Furo; Sharon Eyal’s Bertolina and Makarova Kabisa; and several evenings featuring short creations by company dancers. Deca Dance Established in Tel Aviv in 1964, Batsheva took its name from its founder, Baroness Batsheva (Bethsabee) de Rothschild, a member of the prominent banking family. After eight years of meticulous work, Tomer Heymann finally releases Mr.Gaga, a documentary film about Naharin.What’s the story of the man who reimagined modern dance? Too often, I believe, fascinating research and insights are shared only within a small circle when a much larger audiences can be engaged. His father was a doctor in psychology, previously an actor, and his mother was a dance teacher. There was never a moment when it wasn’t clear this was an Israeli group: the folk dance lines formed across the stage, the tough, army stances the dancers would strike, the songs they shouted out, holocaust references, orthodox costumes (black hats and suits even for the women). The dances worked up to the edge of insanity, over and over again, a good metaphor for both the religious ecstasy some Orthodox Jews find in the pages of the Torah, to the state of the state and the average daily personal stress level. Playback. I wrote my Fulbright grant proposal having only seen the Batsheva Dance Company perform an earlier incarnation of this work (albeit 3 times). It’s fitting that I saw the Batsheva Ensemble perform the latest version of Ohad Naharin’s Deca Dance at the Suzanne Dellal Center last week. Deca Dance - Ohad Naharin L'oeuvre Datant de 2005 Retrace 10 années de création au sein de la Batsheva Company 17 danseurs Florilège chorégraphique Spectacle marqué par le "gaga" The Hole (2013) --> dernière oeuvre Oeuvre la plus connue: Deca Dance Concrétisation du gaga dans Nevertheless, Naharin did not start dancing until age 22.During his first year with the Batsheva Dance Company, Martha Graham visited Israel and invited Naharin to join her dance company in New York. June 12, 2007 At the start of Ohad Naharin’s “Decadance,” performed by the Cedar Lake Contemporary Ballet on Saturday night, a line of dancers stands immobile in … The dancers were all soloists, everyone had a moment or two of the limelight, but they were a clearly unified group and seemed to function best communally, all 16 of them on stage at the same time. Ohad Naharin, company director and chief choreographer for many years, recently stepped aside from management duties in order to focus on his new role as "house choreographer." I devoted a considerable amount of time to independent choreographers and to companies other than Batsheva, but again and again, my attention returned to the origin of my interest, the center point of Israeli contemporary dance. “Deca” stands on the one hand for the 10 years (lat. Designed for the first time in 2000, the program then celebrated the 10 years worth of creations of Ohad Naharin with the company, offering a striking collage of excerpts from his work. As a hodgepodge, the concept worked well. You see, Deca Dance is the piece that drew me here to Israel. decale. Grounded in its moment, feelings that come up in response to images like these have everything to do with hope, not the opposite. He danced professionally in New York and Boston before founding a community-based modern dance company, Small City Dance Project, in Newburyport, MA. The company will perform Shalosh (Three) and MAX in other locations throughout North America. Just as suddenly, the stage was returned to order, there was a clearly structured section with the "real people" standing perfectly still, facing stage left, creating instant architecture for the Batsheva dancers to swirl around. I love being able to look at a dance from different angles, and with the information I have gathered, I now have a tempting menu of choices for how to view each performance. (Video: The Batsheva Dance Company in Deca Dance). “Going Gaga: My Intro to Gaga Dance Classes”, “Gaga: Ohad Naharin’s Movement Language, in His Own Words”, “Gaga: A Foreigner Explores Ohad Naharin’s Movement Language”, “Researching Dance in Israel: The Jumping-Off Point”, “Ohad Naharin to Receive 2009 Scripps/ADF Award”, “Batsheva Dance Company Premieres Ohad Naharin’s, “The Batsheva Ensemble on Tour at Home and Abroad”, “Batsheva Dance Company: From Graham to Gaga”, Snapshots from International Exposure 2008, “Mamootot” - Challenging the Performer-Spectator Divide | Dance In Israel, Getting to Know the Batsheva Ensemble | Dance In Israel, “MAX” - Connecting to Ohad Naharin’s Choreography | Dance In Israel, Ohad Naharin to Receive 2009 Scripps/ADF Award | Dance In Israel, Reflections on the Gaga Intensive 2009 | Dance In Israel, Ohad Naharin in America: “Out of Focus” Documentary | Dance In Israel, Israeli Dance: What’s Happening in November | Dance In Israel, Batsheva Dance Company Premieres Ohad Naharin’s “Hora” | Dance In Israel, A Glimpse into the Gaga Workshop | Dance In Israel, Phaza Morgana 2009: Batsheva Dance Company in the Desert | Dance In Israel, Dance at a Distance: Viewing Live Performance in the Context of COVID-19, Locating 2019 in Time and Space: Reflections on Ohad Naharin’s Latest Work, Mr. Gaga: Tomer Heymann Casts His Lens on Ohad Naharin. He writes for "Pasatiempo," the Arts magazine of the "Santa Fe New Mexican. decadance. Mr. Simpson has a BA in Journalism from the University of Southern California and worked as an advertising writer in Los Angeles before moving to New York to pursue a different passion: dance. But much of this Deca Dance was built from segments of the more recent MAX, Shalosh, and Seder – none of which existed when I last saw Deca Dance in 2004 – and there was even a brand new female duet to an unusual rendering of Ravel’s “Bolero.”   Having seen these later works multiple times, I found myself engaged in an interplay with this new Deca Dance: expecting certain sequencing, guessing what would come next, cataloging where I had seen each segment. Ah, if only programs always had everything we wanted! This is "Ohad Naharin - Deca Dance - Batsheva Dance Company" by Leo Maciel on Vimeo, the home for high quality videos and the people who love them. – but I am blessed with the gifts of this grant as I complete this cycle and start the next. Especially works like his that impose his signature on everything that the dancers do. Ohad Naharin, company director and chief choreographer for many years, recently stepped aside from management duties in order to focus on his new role as "house choreographer." Just as I have changed, so too has Deca Dance, an unfixed assemblage of excerpts from Ohad Naharin’s repertory. He attended Juilliard and the School of American Ballet. Follow. Decale By Ohad Naharin. You can see the Batsheva Dance Company’s production of Deca Dance in Houston (January 28), Philadelphia (February 3), Chicago (February 7), Ann Arbor (February 15), and Vancouver (February 20-21). I just saw Deca Dance last night at Purchase and I am still vibrating from it. Ohad Naharin was born in 1952 in Kibbutz Mizra. Certain elements of Naharin’s dance conjure up prominent images from other choreographers’ masterworks. I know when I saw it this summer, the program listed the original works that were excerpted, but I don’t think these were put in order. I know it can be frustrating to not have more information – I’m also typically of the sort that wants to know as much as possible. I hope you will continue keeping the winger readers up to date on your next endavour. Learn how your comment data is processed. Ohad Naharin Choreographer Born in 1952 in Kibbutz Mizra, Mr. Naharin trained at Batsheva Dance Company, The School of American Ballet, The Juilliard School, and Maurice Béjart’s Ballet du XXe Siècle in Brussels, among others. Batsheva now comprises 2 parts: the Batsheva Dance … Be’Hazlacha. In Decadance, Ohad Naharin takes sections from different works from the last 20 years. He moved to Santa Fe in October, 2008. Not to mention a ‘To Do’ list – the Shavuot festival in Mizpe Ramon is already on my mental calendar as I get ready to divide up ‘the holidays’ between the various relatives!! “Decem” = ten), on the other hand for the 10 dance units. I first published this article as “A Cycle Completed: Deca Dance in Israel” on The Winger on July 11, 2008. Deca Dance is essentially a ‘Greatest Hits’ compilation and such mixed bags can often be, well, mixed bags but Israeli choreographer Ohad Naharin has helmed the company for nearly half of its existence and he knows a thing or about what bears repeating and how to build a hour-and-a-quarter of dance without longeurs. Since the selected pieces sometimes lacked clear endings, the audience began to clap whenever they wished, and these naturally occurring moments gave the piece continuity and flow. An amazing performance by the Tel Aviv-based Batsheva Dance Company belied expectations. danalanes. Celebrated artist Ido Tadmor is the 2011 recipient of Israel’s highly respected Landau Prize for lifetime achievement. He was artistic director of the Israeli Ballet from 2014 to 2016, and led his own Tel Aviv-based company for 13 years, from 1995 to 2007. Created for the first time in 2000, this program celebrated Ohad Naharin's ten years of creation within the company by offering a striking collage of excerpts from his repertoire. Lova. Deborah, Thank you so much for your writings over the past few months. He was a teaching fellow at Smith College, where he received his MFA in choreography. I wrote my Fulbright grant proposal having only seen the Batsheva Dance Company perform an earlier incarnation of this work (albeit 3 times). To learn about the past, I sorted through files of newspaper clippings, viewed old repertoire on video at the Dance Library of Israel, and heard Batsheva’s history retold by former dancers and directors. After a period as a dancer and a sojourn studying music at the Juilliard School he formed the Ohad Naharin Dance Company with his wife Mari Kajiwara, who died of cancer in 2001. As I prepare to continue my journey and return to Israel, your posts have been an almost uncanny reminder of my past – your bus to Qiryat Shmona picked you up on the corner of Kaplan and Ibn Gvirol opposite the building I used to work in, the high school dance departments that sound like the one I studied at and more -and they have touched me more than I can say. Gaga Dance is a contemporary dance method developed by Ohad Naharin and used daily by the dancers of the Batsheva. In 2005, he was a NEA Fellow at the Dance Critics Institute, American Dance Festival. PLAYBACK Cabaret By Ohad Naharin. 30 notes. Music for the pieces fit into an interesting soundtrack including cocktail lounge and elevator songs, like "Cha-Cha de Amor" sung by Dean Martin, Yma Sumac and Rolley Polley. We’re committed to providing the most professional experience for the wide range of competitors in a safe and fair enviornment; ensuring that each DECA event provides high levels of education and the opportunity for growth in every dancer. As for the dancers, I don’t think I’ve seen any programs here that have specified which dancers were performing in each section (this stretches beyond Batsheva – other than ballet companies and some older modern companies, I don’t see this much these days). Back in 2014, I attended Ballet San Jose’s “Neoclassical to Now,” the opening program of their dance season. Ohad Naharin is an Israeli choreographer and contemporary dancer. This became clear last November when the Batsheva Dance Company, which Naharin has led since 1990, performed his Sadeh21 in San Francisco. Martha Graham was the company’s first artistic director, and Israeli-born choreographer Ohad Naharin took over in 1990. And it always came down to people. But more often than not, there was a highly theatrical element at work in the pieces. More than many choreographers, who flit from music source to subject matter with sometimes reckless abandon, Naharin’s work has a continuity of voice. ‘Decadance/Chicago’ Review — Ohad Naharin Turns Hubbard Street Dance on its Heels June 8, 2018 Leanne Star Entertainment 0 Even with a sure bet like Hubbard Street Dance Chicago, it doesn’t hurt to shake things up — and few choreographers shake things up like Ohad Naharin, artistic director of Israel’s Batsheva Dance Company. . However, I was bothered by two things having only peripherally to do with the dance. ", Le Grand spectacle de l’effort et de l’artifice. Batsheva Dance Company Lar Lubovitch Dance Company Bat Dor Dance Company Scapino Ballet. Naharin is a valiant, superlative choreographer. On tour is "Deca-Dance," a work that combines excerpts from nine notable Oharin works for Batsheva from 1985 to 2001. #deca dance #israel #ohad naharin #collaboration #dancers. You have also created a very long ‘To See’ list for me. Batsheva Dance Company from Tel Aviv, Israel will make its Segerstrom Center Debut on Feb. 8 with “Decadance 2017.” (Photo by Maxim Warratt) ... helmed by artistic director Ohad Naharin… Naharin is a singular dance voice with a lot to say" (Lewis Whittington, Ballet Magazine) "Naharin is placed in a rarefied group of the world’s foremost modern-dance choreographers" (Nigel Redden, Director of Lincoln Centre Festival and Spoleto Festival U.S.A.) More about Ohad Naharin… Ohad Naharin choreographs the young troupe, who mainly wear the sort of leisure wear favoured by middle aged people on vacation: knee-length … The choreography, rich in theatrical imagery, direct and communicative without ever looking fussy or "lyrical," also revealed a deeply earthy sense of humor—no doubt a key to survival in present-day Israel. As the Batsheva Dance Company embarks on an extensive North American tour and takes Ohad Naharin’s Deca Dance on the road, it seems like the right moment to re-post my writing on the work. The first being no way to tell what dance was being performed and no way to tell who the dancers were. On tour is "Deca-Dance," a work that combines excerpts from nine notable Oharin works for Batsheva from 1985 to 2001. But I’m honestly not sure at what stage of the game the gaps in the program content were made, and it might not have been a top-down decision from the artistic side of things. Deca Dance is a retrospective compilation of work from 20 years of Artistic Director Ohad Naharin’s career. As I’m sure many of you know, it’s a delight to watch dancers that you know, to seek them out during the sections at which you know they excel, and to find your attention captured unexpectedly by them when they perform something with added nuance or new skill. He returned to Batsheva in 1990. Judging from this choreographer’s work, the Israeli sensibility is smart, passionate, defiant and self-deprecating. Batsheva Dance Company: Season 2018-2019. Whenever possible, I try to publish my writings from last year in conjunction with a related event that’s happening now. Did they list what works this version of Deca Dance drew on, or were there absolutely no notes? Batsheva - the Young Ensemble. Batsheva Dance Company performs at Segerstrom Hall in Costa Mesa on Wednesday, February 8, 2017. I hope that in the future that dancers, choreographers, teachers, researchers and others who receive grants to explore different aspects of dance around the world consider the public sharing, primarily through blogs and the Internet, of their experiences and findings an important component of their projects. He served as artistic director of Batsheva Dance Company from 1990; he stepped down in 2018. While I loved “Echad Mi Yodea” and “Dance with an Audience”, and was taken in by the other works. With many avenues of entry, my research on this company was extraordinarily rich. DECAdance strives for excellence in the world of dance competitions. San Francisco . Finally, one couple was left onstage slow dancing, the middle-aged audience recruit as comfortable-looking in her young male dancer’s arms as a long-married wife dancing with her husband at a wedding. The dancers repeatedly step into fifth position with one arm outstretched on a high diagonal and fingers pointing down to the floor – a slight variation on a familiar stance from George Balanchine’s celebrated Serenade. Ohad Naharin is a globally-acclaimed choreographer from Israel, who is perceived as one of the most influential ones in history. The second is that I believe Mr. Naharan was at the performance, yet he did not take a bow with his dancers. Also, there was mainstream modern music, like that of Arvo Part, John Tavener, Steve Reich, a twisted version of "Greensleeves" from The Beggar’s Opera, and pop tunes from Dick Dale, Harold Arlen, and The Ventures. At once a physical language and a pedagogical approach, it is “another way of preparing the body, a toolbox for the dancers”. While the parts of Deca-Dance were quite dissimilar, from a male-bonding piece (with a lip-synching ballerina on red toe-shoe stilts) to Graham-style floorwork, to pure theater, there is definitely a wholeness, a unified philosophy visible in the work. Beyond any political statements, though, Batsheva offered moments of powerful humanity, youthful exhuberance and wonderful dancing. You’ve done an excellent job. Now – 4 years after I last saw Deca Dance, 9 and 1/2 months after landing in Israel, 2 days after finishing the term of my Fulbright grant, and 90-some dance concerts later – I feel I have come to the end of a cycle. Shown in an order subject to change were "Black Milk" (1985), "Passomezzo" (1989), "Queens of Golub" (1989), "Mabul" (1992), "Anaphaza" (1993), "Sabotage Baby" (1997), "Zachacha" (1998), "Moshe" (1999), and "Naharin’s Virus" (2001). The winking, cheerful music was often the only light in an essentially bleak environment. For the entire family. Deca Dance is choreographed by Ohad Naharin, the Artistic Director of Batsheva, who has assembled sections of eight of his earlier works into a kind of “greatest hits” compendium, a series of five or six different snippets in each half of the programme. Deca dance Created for the first time in 2000, this program celebrated Ohad Naharin's ten years of creation within the company by offering a striking collage of excerpts from his repertoire. It was hilarious, but ended quickly. The choreography of Ohad Naharin… A central memory of the evening was the audience-participation number, when the black-suited dance company headed sternly out into the house and came back with partners who joined them to fill the stage with a few moments of reckless abandon, crazy party dancing. As a matter of fact, Ohad Naharin’s choreography speaks for … Thanks for your wonderful coverage of dance in Israel as part of your Fulbright grant! We are aware of the connection between effort and pleasure, we are aware of the distance between our body parts, we are aware of the friction between flesh and bones, we sense the weight of our body parts, yet, our form is not shaped by gravity . As a hodgepodge, the concept worked well. I set out to learn about the wider field of Israeli contemporary dance, and although there is still more to explore, I have a much deeper understanding of dance’s history in Israel as well as the scope of the field today. . For culturevulture.net, he reviews dance, theatre and film. The direct contrast of these excerpts next to older sections and the absence of other portions that I remembered from my previous Deca Dance viewings provided a chance to reflect on what I perceive as a shift in Ohad Naharin’s choreography towards sparer works which emphasize marvelously textured movement and finely tuned compositional forms over theatricality. As I place Deca Dance within the context of Naharin’s repertory, Batsheva’s history, and the larger frame of Israeli contemporary dance, I realize how much I have gained from my research. In 1978, he married Ma… While I do not know Mr. Naharan, nor have I ever seen his work before, I find it somewhat arrogant to neglect the audience in its need or desire to identify who is dancing what and also their need and desire to acknowledge the creator of the works. The dancers were presented as human beings, characters with personalities. Ohad Naharin’s Story. Sure, there were some old favorites which I recognized from past versions, most notably the accumulative “Echad Mi Yodea” segment and the perennial crowd pleaser, “Dancing with the Audience” (and at this show the audience members invited onstage were more than willing to participate, with one man hamming it up to great applause). Some of the excerpts had a Cunningham-influenced style, the choreography technical and impersonal. A part of me wishes that my Fulbright could continue – after all, it’s been a dream to structure my own time and pursue independent research with few restraints! Raised in an artistic home, he wrote stories, composed music, and painted as a child. The Look by Sharon Eyal; Black Milk and George & Zalman by Ohad Naharin. The dance accumulates quick, …show more content… In Tensile Involvement, the dancers wear skin-tight tank leotards that enunciate muscle definition and flexibility. July 17, 2017 Ohad Naharin, who has led the Batsheva Dance Company in Tel Aviv since 1990 and has established the troupe as one of the world’s great … I also have had the pleasure of watching the same dancers develop over the course of the season and talking with them offstage. You see, Deca Dance is the piece that drew me here to Israel. This site uses Akismet to reduce spam. 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